Selected credits:

2026 —- RICHARD III —- PRAGUE SHAKESPEARE COMPANY
2026 —- MACBETH —- PRAGUE SHAKESPEARE COMPANY
2026 —- THE TEMPEST —- ROYAL CONSERVATOIRE OF SCOTLAND
2026 —- MUCH ADO ABOUT NOTHING —- ROYAL CONSERVATOIRE OF SCOTLAND
2026 —- TWELFTH NIGHT —- PRAGUE SHAKESPEARE COMPANY
2025 —- MERCHANT OF VENICE —- PRAGUE SHAKESPEARE COMPANY
2025 —- QUEEN LEAR —- PRAGUE SHAKESPEARE COMPANY
2025 —- HAMLET —- ROYAL CONSERVATOIRE OF SCOTLAND
2025 —- MIDSUMMER NIGHT’S DREAM —- ROYAL CONSERVATOIRE OF SCOTLAND
2024 —- MIDWINTER NIGHT’S DREAM —- PRAGUE SHAKESPEARE COMPANY
2024 —- MEASURE FOR MEASURE—- PRAGUE SHAKESPEARE COMPANY
2024 —- MERCHANT OF VENICE —- PRAGUE SHAKESPEARE COMPANY
2023 —- ROMEO AND JULIET —- PRAGUE SHAKESPEARE COMPANY
2023 —- LOVE’S LABOUR’S LOST —- PRAGUE SHAKESPEARE COMPANY
2023 —- HAMLET —- EAST 15 ACTING SCHOOL
2023 —- MERRY WIVES OF WINDSOR – ROSE BRUFORD
2022 —- KING LEAR —- EAST 15 ACTING SCHOOL
2022 —- MEASURE FOR MEASURE —- PRAGUE SHAKESPEARE COMPANY
2022 —- RICHARD III —- ROYAL CONSERVATOIRE OF SCOTLAND
2022 —- MEASURE FOR MEASURE —- ROYAL CONSERVATOIRE OF SCOTLAND
2021 —- MIDSUMMER NIGHT’S DREAM —- EAST 15 ACTING SCHOOL
2020 —- CYMBELINE —- EAST 15 ACTING SCHOOL
2019 —- PERICLES —- SHAKESPEARE.SCOT / DUNDEE REP
2016 —- ROMEO AND JULIET —- WILDERNESS OF TIGERS
2016 —- MACBETH —- WILDERNESS OF TIGERS
2015 —- DOCTOR FAUSTUS — PASSION IN PRACTICE / SHAKESPEARE’S GLOBE
2014 —- HAMLET —- BARD IN THE BOTANICS / WILDERNESS OF TIGERS
2013 —- TEMPEST —- STONE SOUP SHAKESPEARE

Alasdair is forever indebted to the directors who took him on as an assistant director during his early practice. Notably, Rachel O’Riordan (Perth Theatre), Gregory Thompson (Tron Theatre), Johnny McKnight (Random Accomplice) and Jim Simpson (The Flea Theater).

Alasdair also acknowledges the early career support of James Issitt at the University of Cumbria for inviting him in as a guest director and giving him the chance to direct large scale classical plays at a formative point in his practice.

He would also like to recognise the significant amount he learned from supporting directors and productions around the country as a Connections Director for the National Theatre. In his eyes NT Connections remains the most important annual theatrical endeavour in the land. He is a better director for being a part of it.